The Déjà vu and Differences Between Oreimo and Eromanga Sensei

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I’m getting Oreimo vibes. It’s only a little though (though I think I’d rather prefer a lot), but there’s something about Eromanga Sensei that gives me a similar nostalgic feeling. That feeling is of Déjà vu, in a sense, because I’m noticing a pattern within myself when it comes to these two shows: I love side characters and hate the main. And it’s not because she’s so young, or the fact that she’s his sister, or any other taboo that confronts with an ideology of common societal norms that would prevent me from enjoying a fictional story. No, I just don’t like her because much like Kirino, she doesn’t deserve it. Continue reading

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Otaku in Anime: Kirino Kousaka

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In anime, I find the portrayals of Otaku to be quite fascinating. Often written by Otaku themselves, this personality trait that originally started in a derogatory sense (and still is to some) is now the most likely type of character to resonate with fans of anime (probably). It’s certainly one of my favorite characteristics, being that Otaku characters are more than just something to relate to: They are a means of which creators can show their understanding and admiration for genre and culture through. When written exceptionally, Otaku characters are a beautiful love letter not only to fans, but to the culture itself. While there is no definitively “right” or “wrong” way to write creatively, there are some Otaku characters out there that can be so poorly realized, it honestly begs the question “Was anime a mistake?”. But then you just shake it off and think “No. Anime wasn’t a mistake. Subaru from Re:Zero was a mistake”. But he’s not really what I’m here to talk about today. No, instead I’d like to focus my attention on an orange-haired girl from Oreimo. Continue reading